Alexis Pope
Silence The Trap
Notebook paper fallen from the train / bridge / nightheaving. He sighed out the halo.
Coated, armed with the moleskin. Pocket-sized ambivalence. I did it all for you he says.
Means might have. Water stains this way. Brief over the river. Enough time to return a text,
consider Jane’s Carousel. Reins through my jaw. Dreamed about rats last night. One rat. In
our hallway. A man says He got in through the front door.
Older creatures, emptied or shut up. Fasten myself to his twin, bull. Hole in my boot
growing. What let in. Much affection, not a bullet left in the bouquet. Twizzle thumbs, his
hand opened which means. Coke spoon. Vile of pasteled sand. Wear the necklace, shape his
brows with silver. A holiday of pills. Nothing left to perforate.
Second Notice. Fine haired girl. Patron of product placement. His features dried to a leaf.
Salutations in a systematic goodbye note. What torn and who. Put the couch away this
morning. I mean the bed, what was left. Took my scarf from the storage container. Lock it
behind you he says.
QUIET LESION
It’s not a choice
What we do in sleep
Mercy killing
3:06 A sprout of yellow
Crowding the person
You don’t love
Emptying of thought
Can’t get to it all
In one session
How do you like it
On top or from
Wrist pressed flat
Your snow of tongue
Forgot
To shave my legs
Today less air pressure
In my job search
More realism
In my twelve dollar
Milkshake my glut
Money spends better
Than if I aged my skin with labor
I age my skin w/ labor
Every day
New death certificates
Print Monday
On my throat
Fill out the paperwork
An earthy sheen
Without reading
Never done my research
Under your tongue
How remorse tastes
Like fennel I imagine
The bottom of my love
Returns each morning
With the toast
Serenity blend plus honey wait
For enough flavor
Center my hips
For the work
KitchenAid Stand Mixer
Identity depends upon
Health benefits
An extra two hundred
To burn the death in
A vintage shade of blue
Non-working fireplace
Oh hi beautiful little dark
My tea / my ritual
Movement in my chest
Reminds me
A track pad developed
For my particular pressure
Sensory details
I trace the Google map
Of how I got here
Little girls / whirling their skirts
About / until they stand flat
So this weight in my belly
Explains I am a woman
Above the fridge
Now there is nothing
You can steal from me
Containers with possible
Use someday a hand searching
My skirt for follicles
Leftovers: another box
Inside there sits a threat
Of odor in this cab ride
Growing older as the fare
It’s a little magic trick
The lover taken against
A wall / mauve flowers
Liter box of wine holding
Myself against a stranger
On the Q
Pole between us
Velocity of coming
To a halt
Don’t tell me
I was never very good
At Monopoly only Sorry
So things are pretty
Much the same
Only this body
Of water is dying
Or is dead
Already a constant
Drip to the flood
Clue underneath
This part of me
I’ve never fully owned
Alexis Pope is the author of Soft Threat (Coconut Books, 2014) which was selected for the Cargill First Book Prize, as well as three chapbooks. Her work has appeared or is forthcoming in Denver Quarterly, Washington
Square, Guernica, BigLucks,
NO Dear, and Forklift Ohio, among others. She lives in Brooklyn. More at
alexispopeisagirl.tumblr.com
I started a collection of souvenirs for my daughter. Sometimes poetry requires that I leave her to go to readings, tours, conferences, et al, so each new place I visit I find a snowglobe-ish piece to add to her collection. There are the classic snowglobes with small monuments under glass and glitter, but my favorite is a shark's tooth on sand under a kind of fun-house glass. The tooth can look larger or smaller while suspended in whatever keeps it hanging in the center. There's also one filled with dried flowers, all dark colors (browns, grays, deep mauve) and a little creepy. Sometimes we'll go over where I got each one (Pittsburgh, Seattle, Puerto Rico, Muncie, Akron, things like that). It's nice because it lets her know I was thinking of her (always) and helps me remember where I've been and what I was doing. However, this might not always be the case, so I should probably start writing down & taping the city where each piece hails from.